Aims of the project
The project aims to promote musical culture by encouraging young people to study the literature for Wind Orchestra, according to new demands and trends.
The project also aims to publicize the image of original music for Wind Orchestra in the social and cultural context of the surrounding area, through a complete musical path that aims to deepen musical and musicological skills.
Contents of the project
The project is aimed at updating knowledge, specifically, artistic-musical. The activities of the meetings will be aimed at increasing the musicians’ ability to relate with their musical instrument and with the activity of the Wind Orchestra. The thematic nuclei are: collective lessons of instrument, collective lessons for sections, collective lessons in Orchestra, rehearsals open to the public, concerts.
Learning objectives
Contributing to the improvement of artists and cultural operators, making them aware of a particular form of musical manifestation such as the Wind Orchestra, which by its natural affinity with the “band” preserves the impact on the listener intact
Lezioni pratiche
- Studio dei corali, strumentati per formazione variabile, per risolvere problemi di intonazione, di attacco e di fraseggio. Libro in uso: 66 Famous Chorales arrangiati da F. Erickson.
- Esercizi per perfezionare l’esecuzione delle varie articolazioni e approfondire la lettura ritmica. Studi sulle scale, sugli arpeggi, sugli intervalli sul ritmo.
Libro in uso: The Artistry of Fundamental di F. Erickson. - Piccoli gruppi di fiati dal duo al quintetto per strumenti simili o formazioni miste.
- Grandi gruppi di fiati tratti dal repertorio più importante per fiati.
- Brani originali per Orchestra di Fiati.
Programma di massima
Giovedì 1 settembre
Prova 10/13 prova a sezione
con docenti Tutor;
16/20 TUTTI
Venerdì 2 settembre
Prova 10/13 prova a sezione
con docenti Tutor;
16/20 TUTTI
Sabato 3 settembre
Prova generale 10/13,
prova generale e concerto
nel pomeriggio
Giovanni Ieie
He graduated in Clarinet with full marks under the guidance of Prof. G. Di Carlo, later perfecting his skills with famous teachers such as K. Leister, V. Mariozzi and C. Scarponi. From 1990 to 2003 he played permanently with the “Orchestra Sinfonica Abruzzese” collaborating with prestigious musicians and for the most important Italian Musical Institutions; with this prestigious Orchestra he has performed concerts abroad (France 1996 with A. Bernard, Spain 1997, Andorra 2000 with the famous singer B. Hendricks under the baton of F. Yepes, France 2001 with P. Amoyal), in Italy (Milano sala Verdi for the “Serate Musicali” years 1999, 2000 and 2001, Rome Easter festival, concert seasons in Foggia, Pompeii, Naples, Perugia, Brescia, etc.). ), recordings for RAI (Roma Teatro Sistina with M. Freccia, contemporary music festival of the Aquarium, Caracciolo prize, etc.), recordings of compact-disc (BGM, EDIPAM, ARTS) and collaborations with soloists such as B. Petrushansky, M. Conti, V. Mariozzi, U. Ughi, E. Dindo, V. Ashkenazy, A. Bernard, M. Campanella, Milva, A. Stewart, etc..
Since 2000 he has dedicated himself to the Direction of Wind Orchestras studying with Lorenzo Della Fonte and following courses with Jan Van der Roost, Jacob De Hann, Frank Battisti and Eugene Migliaro Corporon; he has collaborated with orchestras such as Festival Junior Brass Band of Aosta (Aosta 2001), Wind Orchestra of Valtellina (Spain 2002), Philharmonic Orchestra “Leopolda” of Florence (Parco della Musica Roma, Teatro Comunale Firenze, Montenegro 2005 France 2006), Wind Orchestra “Città di Procida” NA (Spain 2005), Wind Orchestra of the Festival “Officina dell’Arte” of Acquaviva Picena AP (Professional Training Course 2005, 2006). He was invited as guest conductor by: Orch. Philharmonic “Leopolda” of Florence, Wind Orch. “Città di Procida”, Wind Orch. “Karl Orff” of Priolo Gargallo in Sicily, Wind Orch. “Laboratorio Ensemble” (AP), “Consonanza Musicale” of Lissone (MI), Philharmonic “Leonardo da Vinci” (FI), Orch. of Winds of the Istituto Superiore di Studi Musicali “G. Braga” of Teramo, Corpo Musicale “P. Giannone” of Ischitella (FG), Corpo Bandistico “Città di Fermo”, Banda “Città di Mantova”.
In November 2009 he was invited as guest conductor to conduct a series of concerts for the “Banda Simfonica del Centre Artistic Musical de Moncada” – Valencia (Spain); in program music by Spanish composers and the first Spanish performance of Un amore a distanza… focal produced by the Musical Association “Accademia”.
Since 2018 he is a member of the USA WIND BAND, an American association created to invite European musicians, with whom he shares an intense musical programming and is regularly invited to conduct at the Universities of Chicago, Boston, Philadelphia, etc.. In 2019 he was invited as guest conductor for the Wind Band of the Carrol University of Chicago and for the Wind Orchestra of the Conservatory of Moncada, Valencia-Spain.
He founded and conducts the Wind Orchestra “U. Giordano” of the Conservatory of Music of Rhodes Garganico section detached from Foggia, with which, in addition to numerous concerts, he has addressed much of the panorama of original compositions and numerous first performances dedicated to the Orchestra.
Artistic Director of the Associazione Culturale Musicale ACCADEMIA 2008, he founded and conducts the Italian Wind Orchestra “ACCADEMIA”, and is permanent director of the sax ensemble “SAXOFONIA” with which, in addition to an intense concert activity, he recorded the CD Polvere di Stelle, which received unanimous acclaim from the public and critics.
He is guest conductor and first clarinet of the Wind Orchestra ARMELIS of Collarmele (AQ), which, in addition to its numerous concert activities, annually hosts guest conductors of the calibre of F. Creux, L. Pusceddu, Thomas Fraschillo and David Waybright.
He was called as a jury member of the competition of Bands of the province of Teramo years 2007/2008 and the International Festival of Musical Bands of Giulianova (TE) years 2010/2011.
In July 2009 he was a member of the commission of the “1st International Wind Conducting Competition “P. Giannetti” in Abbadia San Salvatore (SI) with J. Pascual Vilaplana, L. Della Fonte, M. Billi, D. Bostok.
Coordinator of the RODI JAZZ FEST (see website www.conservatoriofoggia.it), where in addition to conducting the Festival Orchestra he has collaborated with jazz musicians such as Fabrizio Bosso, Maurizio Giammarco, Bruno Tommaso, Jamal Ouassini, etc..
Since 2003 he has been teacher and first clarinet of the “Giovanile Orchestra di Fiati” of Ripatransone (AP), made up of instrumentalists coming from Italy and abroad, Director Lorenzo della Fonte, with whom he has deepened the vast original repertoire for Wind instruments, performing and recording numerous first performances.
In 2009 he began an artistic collaboration as conductor, with Mediaset/Medusa R.T.I. and RAI for the recording of Film and Fiction soundtracks. Among the most important: Sorry, but I want to marry you by F. Moccia; Tutto l’amore del mondo by R. Grandi; Il ritmo della vita with the cast of “Ballando sotto le Stelle”; Tutti per bruno with C. Amendola; La Certosa di Parma by C. TH Torrini; Le tre rose di Eva by C. TH Torrini.
Winner of the competitions for the roles in the Conservatories of Music for the subjects “Chamber Music” and “Musica d’Insieme per Fiati” currently teaches “Musica d’Insieme per Fiati” at the Conservatory of Music “U. Giordano” of Rodi Garganico, detached section of Foggia.
In 2006 he graduated with full marks in Musical Disciplines at the Musical Institute “G. Braga” of Teramo.
Beatrice Mappa, flauto
Diplomata in flauto traverso e in musica da camera con il massimo dei voti, lode e menzione speciale, ha perfezionato gli studi musicali con il Maestro A. Oliva presso l’Accademia Santa Cecilia di Roma e con il Maestro A. Amenduni presso l’Accademia Italiana del Flauto a Roma. Ha seguito inoltre masterclass con flautisti come D. Formisano, P. Gallois, P. Taballione, M. Ancillotti, B. Kuijken, M. Caroli, B. Cavallo, A. Manco.
Premiata in numerosi concorsi internazionali e finalista del Premio Abbado, ha collaborato con Associazioni Musicali italiane ed estere esibendosi in varie formazioni cameristiche, in orchestra e da solista con la Filarmonica di Bacau, con Lukaida Culture Center, con la Minsk Symphony orchestra, con l’Italian Philarmonic orchestra, con le orchestre Pugliesi, eseguendo il concerto in Sol maggiore di Mozart k313, il concerto in Re maggiore di Reinecke, concerti dell’Op.10 di Vivaldi, la fantasia sulla Carmen di Borne.
In ambito orchestrale collabora con l’orchestra Sinfonica Metropolitana di Bari, con l’orchestra del Teatro Petruzzelli di Bari, con l’orchestra 131 della Basilicata, con l’orchestra Filarmonica Pugliese, con l’orchestra del Levante, con l’orchestra della Magna Grecia, con l’orchestra Suoni del Sud, con l’orchestra di Lecce e del Salento al fianco di artisti del calibro internazionale come U. Ughi, F. Mondelci, L. Bacalov, L. Zilberstein, N. Masala, L. Shambadal, G. Neuhold, K. Martin, B. Aprea, M. Quarta, H. Samale, M. Rota, L. Piovano, O. Rudner, B. Videnoff, E. Bosso, D. Oren e altri ancora.
È membro dell’Italian Philarmonic Orchestra con cui dal 2013 effettua tournèe in Cina, esibendosi nelle più prestigiose Concert Hall di Shangai, Pechino, Hefei, Shenzhen, Guangzhou Xuzou, Yichang, Zhongshan, Chongqing, Ningbo, Fuling, Chagsha e tante altre.
Nel gennaio 2016 è stata invitata in Bielorussia, nella città di Brest dove ogni anno si tiene un importante Festival di musica da camera con artisti provenienti da ogni parte del mondo.
Attualmente è docente presso la sede di Rodi Garganico del conservatorio “Umberto Giordano”.
Raffaele Manuel Padula, sax
Il sassofonista Raffaele Manuel Padula nato nel 1993, si è diplomato brillantemente nel 2012 sotto la guida del maestro Gabriele Buschi presso la sede di Rodi Garganico del Conservatorio U. Giordano di Foggia. Nel 2014 ha completato il Biennio Specialistico in sassofono presso la stessa istituzione laureandosi con il massimo dei voti e la lode. Nel 2017 ha completato il Biennio Specialistico in Musica da Camera sotto la guida del maestro Guido Felizzi presso il Conservatorio G.B. Martini di Bologna con il massimo dei voti e la lode. Durante i suoi studi al Conservatorio di Bologna perfeziona la tecnica e lo studio del repertorio classico sassofonistico con il maestro Daniele Faziani. Manuel Padula ha partecipato a Masterclass con artisti di livello internazionale e ha studiato privatamente con i maestri Marco Gerboni e Massimo Mazzoni. Ha riportato numerose vittorie e premi assoluti nei Concorsi Internazionali e Nazionali tra cui il Premio Alberghini risultando il Vincitore assoluto della seconda e terza edizione nelle categorie Musica da Camera e Fiati solisti. Numerosi sono i concerti tenuti con svariate formazioni Musicali in molte città d’Italia.
Il 17 dicembre del 2016 si è esibito come solista al Teatro Comunale di Bologna con l’Orchestra del Conservatorio G.B. Martini diretta dal maestro Caprioli. Collabora con il Teatro Comunale di Bologna e la Filarmonica di Bologna, in qualità di sassofonista, per la produzione di opere teatrali.
Nel 2020 ha completato il Master II in Music Performance con lode sotto la guida del maestro Hans de Jong presso il Royal Conservatoire Antwerp.
Nel 2021 pubblica il suo primo album in duo con il pianista Francesco Monaco dal titolo “Hasta que la musica se pare”, omaggio ad Astor Piazzolla.
In primavera dello stesso anno pubblica “In Time” in duo con il pianista Stefano Bezziccheri. Dal 2019 è un artista JLV Ligature France.
Apply to the Masterclass
Fill the application form to apply to Masterclass.
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Regulation
- The workshop is open to young musicians of both sexes, students or graduates of the Conservatories of Music, band musicians and amateurs. The Workshop aims to promote musical culture by encouraging young people to study woodwind literature, according to new instances and trends. There is no limit to the number of participants, but the organization reserves the right to evaluate the curriculum vitae of the candidate and to select the students. There is no age limit. The participation of a limited number of percussionists is foreseen.
- The Laboratory will be structured in groups according to the instrumental skills; the formation of groups will be held on the first day of the course; the formation of mixed instrumental groups is foreseen.
- Each participant will be awarded a diploma of attendance.
- There will be a Final Concert in which all the students will participate. The use of the black dress is a must.
- The organization will not be responsible for risks or damages of any kind that may arise to competitors during the course of the lessons.
- The organization makes available to the participants not only the specific didactic material, but also that subject to copyright. The musical parts will be distributed on the first day of work or sent by e-mail. Candidates must in any case equip themselves with all those instruments and/or accessories useful for their participation.
- The accommodation expenses are at the expense of the individual participants. There is no refund of any kind. The registration to the Laboratory implies the unconditional acceptance of the rules established by these regulations.
- All communications regarding the precise times of the lessons will be communicated personally to the individual students a few days before the beginning of the Laboratory.
- For any request or information please contact the organization at the following e-mail address: masterclass@festivalpianadelcavaliere.it.
- The actual students and listeners are only entitled to the payment of the registration fee. Actual students must enclose with the application a copy of the bank transfer of Euro 50 (this amount includes the enrolment to the courses, the participation to the course chosen as actual student and the insurance fee). Students who are auditors, on the other hand, must enclose a copy of the bank transfer of Euro 25 (this sum includes enrolment, participation in the courses chosen as auditor and the insurance fee). Bank transfer made out to Associazione Festival della Piana del Cavaliere – IBAN: IT05V0538740510000002985102 – Causal: registration Masterclass Name Surname (insert the student’s first and last name)
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